The Raft + The Weather Forecast
Andrew Holmes & Jackson Holmes
Large scale photographic installation by Andrew Holmes
02-30 September 2017
Opening: Fri 08 September, 6-9pm
Live sound performance
08 September 2017, 7-9pm
Fri 27 October 2017
Customs House, Folkestone Harbour Arm
‘The Raft’ is an installation of four large format unframed black and white photographic prints of the sea 1200 x 1800 mm (4’ x 6’), arranged joined together to create a continuous line of 7200 mm (24’) in length. Raised 150mm off the floor, the top of the prints are below the viewer’s eye line – an invitation for the viewer to experience the work as if from a small boat or raft.
The images have been selected from thousands of photographs of the sea taken by Andrew Holmes. Holme’s vision of water does not offer the relief to the eye of the sky, of wind, or indeed of light. It is night and raining; it is dark, and forbidding. In the four images of the sea here, the waves are fathomless; despite the fear they seem to invite the viewer in to drown.
The English bond to the sea is one of selfless discipline. Turner in his paintings of the heroic ‘The Battle of Trafalgar’ or the ‘Wild Fishermen at Sea’ haunts the English attitude to the sea. This contrasts with the continental relationship personified by Gericault in ‘The Raft of the Medusa’, that is one of betrayal and abandonment. In both cases the focus is on the human beings at the mercy of the deep.
Andrew Holmes’s approach has more in common with Turner’s ‘Shipwreck’ or Winslow Homer’s ‘The Gulf Stream’: an attitude dominated by fear. This is not the romantic view of nature as religion. Holme’s experience as a child of spending five hours in an open 20 foot fishing boat in a force 10 gale, a storm with winds of up to 60 miles an hour, off the coast of Wales, and later being shipwrecked in The Minch off Scotland in a similar boat, bears strongly on his view of the sea.
Presented in tandem with the opening of ‘The Raft’, ‘The Weather Forecast’ is a new lengthy improvised soundscape combining the familiar, comforting, homey, armchair bound sounds of the radio 4 announcer with the frightening, sampled, natural sounds of waves from opposite sides of the planet; storms from Sweden, hurricanes from Mexico, gales from New Zealand overlaid with a kind of music derived from the urgent Morse code signals to indicate distress for those in peril on the sea.
Gallery Image Credit:
: ‘The Raft’ Andrew Holmes
[2-5]: Installation shots by Nina Shen-Poblete
Born in 1947 in Bromsgrove, Worcestershire, Andrew Holmes moved to London in 1966, and attended the Architectural Association.
He is best known for a series of 100 realistic pencil drawings exploring the apparently anonymous mobile infrastructure of cities. In addition however his work encompasses printmaking, photography, film, and design. The work offers not the unique quality of handicraft, but the elements of three traditions: that art is evidence, and of an ability to select significant objects, things from experience; that art is the residue of engaging the existing systems with particular mechanical techniques and processes; and that art provides the possibility of fabricating new versions of reality.
These procedures he organises as Messages, Arrangements, and Nonuments under the principles of Informalism. The work in all its forms has been exhibited and published widely for forty years. Andrew Holmes is Professor of Architecture at Oxford Brookes University, was formerly Guest Professor at the Technische Universitaat, Berlin, and a Visiting Scholar at the Getty Research Institute. He lives and works in London.
Trained as a filmmaker, Jackson Holmes is a London based sound artist who works in many guises, as music producer, composer and musician.
Surface Tensions 2017 (8 September – 2 December 2017) is a dynamic series of site-specific installations, discussions and performance that challenge our experience and understanding of the ‘sense of place’. More than ever, this is undergoing increasing instability and continual reconstructions under the rapidly changing social political currents, revealing underlying tensions beneath the veneer of civilisation. Using the building of 73 Tontine Street as a vessel, the artists will bend traditional genres of representation to explore the complexities of experiences as simultaneously physical, psychological, emotional, temporal and cultural. Through which, the tensions above and beneath the surfaces can only offer the passer-by a glimpse of fragments both temporary and distant, evoking enchantment and subliminal angst.
Curators: Nina Shen-Poblete and Tomas Poblete
On his unique observations of ‘Americanness’, his long-term fascinations with the highways of the American West and the counter-cultures emerging from it…
There are four photographs in the series, available as individual prints, or as a complete set.
Numbered, dated and signed by the artist in reverse.